Jaga Jazzist Enchants Audience with Its Eclectic Sound

With their arsenal of instruments and confident
stage presence, these nine gifted musicians appeared ready to take the stage by
storm. Their creative, explorative musical style matched and surpassed
everything promised by their visual presentation.

Playing together since 1994, Jaga Jazzist got a big
break in 2002 when the BBC named their debut album, “A Livingroom Hush,” the
best jazz album of the year. Since then, they have released “The Stix” (2003),
“What We Must” (2005) and their latest album, “One-Armed Bandit” (2010). Citing
influences as diverse as Joni Mitchell and MGMT, they have been compared to
acts as varied as Eric Satie and Aphex Twin.

Dense,
layered soundscapes

Their voluminous collection of instruments includes
guitars, bass, piano, saxophones, trumpets, trombones, tubas, a vibraphone,
percussion and a whole host of electronics.

From the first note, Jaga Jazzist filled the
expansive room to the brim with their unique blend of jazz, rock and electronic
music. For two hours they played dense, layered soundscapes that were at times
sinister and brooding and at times seemed to launch the audience high into the
sky. The band appeared to take their music very seriously and the show was
seldom playful or downright danceable.

A
haunting background of slowly changing ethereal tones

Although it got off to a rough start with a fight
near the stage and an interrupted song, the audience and the band quickly made
up when someone yelled out, “We are truly sorry for that!” Jaga Jazzist
responded in turn by lighting up the stage and getting down to the music. They
later endeared themselves to the audience.

The peak of the performance came around two-thirds
of the way through the show during a gorgeous trumpet solo by Mathias Eick.
Painted on a haunting background of slowly changing ethereal tones that seemed
to make time stand still, Eick mesmerized the crowd with a sublime, deeply
satisfying solo.

Jaga Jazzist’s lighting and stage design contributed
well to the successful evening. The stage was decorated with placards depicting
images from slot machines — a watermelon, a bell, a pair of cherries and a
lucky number seven — lit from below and saturated with color. The air above
the stage was thick from the fog machine; perfect for the brief laser light
show that was wired to perfectly match punctuating bursts of sound from the
piano.

Hopefully Jaga Jazzist will make many more trips to
share their creative sound with the world. And if their instruments will fit on
a plane, maybe they won’t even have to take a Viking ship.

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About
Jaga Jazzist

Jaga Jazzist have become something of a musical
phenomenon in Norway since they started 15 years ago. Not only is this 9 piece
instrumental band regarded as one of the most exciting and innovative in
Norway, the members are all involved in other musical projects and have in one
way or another contributed to almost every significant recording to come out of
that part of the world in the last few years. It has been this strong involvement
with different projects, and different musical styles and sounds which is the
key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that
includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet,saxes,
keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless
music. Melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town
outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in
Jaga) was only 14 years old! In 2001 they released their debut album “A
Livingroom Hush” on Warner in Scandinavia to massive critical acclaim and great
sales (the album sold over 15000 copies in Norway alone..). The band then
signed a deal for the rest of the world through Oslo`s Smalltown Supersound.
Throughout 2002 the band shocked fans and critics alike with their blistering
live shows and the buzz resulted in sold out dates all over Europe and the band
soon came to the attention of Ninja Tune who did a license/collaboration deal
with Smalltown Supersound.

Creation
of a sound they could genuinely call “Jaga Jazzist “

At the same time that their debut album was gaining
more and more international success, Jaga recorded the follow up titled “The
Stix”, their first for Ninja Tune. As with their first album it was produced by
Norwegian superproducer Jørgen Træen the man behind Duper Studios in Bergen
(home of Røyksopp, Kings of Convenience, Sondre Lerche et.al.) but this time
Jaga wanted to push their musical limits even further and really create a sound
they could genuinely call “Jaga Jazzist “. It was the perfect balance between
(hu)man and machine, and it never lost the organic nature of a live 10 piece.

The
breakthrough moment was the track “One Armed Bandit”

After heavy touring next came their most radical
“What We Must” album, the result of the band going into an isolated
studio out in the Norwegian woods and recording the demo now known as the
Spydeberg Session. Put down in one take in one day, it was a breakthrough moment
for the group. A sound that was closer to their live sound than ever before. It
was their rock album. But of course Jaga's own kaleidoscopic take on rock
stylings, rolling from early 90s British shoegazer guitar pop to 70s prog rock,
all shot through with Jaga's own unique logic.

And now this takes us to their 6th album, “One
Armed Bandit”, due for release in January 2010. Lars Horntveth began
writing the music in early 2008. Alongside two new band members Øystein
Moen-keys and Stian Westerhus-Guitar, JAGA rented A house in the Swedish forest
to rehearse new material. It could be said that it was a reaction to “What
We Must”. It does include the rock stylings of “What We Must”
and the electronics of “The Stix” but is still very much looking
forward with a new sound. The breakthrough moment was the track “One Armed
Bandit”, the first single from the album of the same name. Taking
influence from the afro-beat stylings of Fela Kuti but funneled through their
own style. The Wagner-Esque fanfares and arpeggios are intended to sound like
slot machines. And this Wagner meets Fela Kuti sound became a kind of theme of
the album. In December 2008 the band went to Cabin Recorders to record the
album with Jørgen Træen, a man who had been a big factor in forming Jaga´s
music since A Livingroom Hush and the Stix, Unfortunately after 3 weeks Træen
got tinnitus. Jaga quickly thought of John McEntire of Tortoise fame. He was
enthusiastic about mixing it and in April 2009, 3 members of the band went to
Soma Studio in Chicago to mix the album. Interestingly one day the Norwegian
garage jazz band “The Thing” were playing at a local jazz club. Jaga
went down there with a microphone and laptop and recorded what was to be the
intro of the album.

At heart of this collective is a restless soul,
going in many directions at the same time, but always going forward.

The
Upcoming Concerts of the Group

22.03.12 Norway, Bergen, Hulen

00.06.12 Norway, Oslo, Miniøya

16.06.12 UK, London, The Barbican

w/Britten Sinfonia/Lars Horntveth

10.08.12 Germany, Rees, Haldern Pop

15.09.12 Norway, Oslo, Ultima Festival, Rockefeller

w/Britten Sinfonia

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